Spoiler Alert: The post that follows as well as the comments section contain plot details from the finale episode. Consider yourself warned.
The following is from Kevin Levine's blog. He has written/produced/directed shows like MASH, Cheers, Frasier, The Simpsons, Everybody Loves Raymond and many others over the course of his 30-year career.
"If The Sopranos Were On A Major Network"
- The finale would be at least two hours.
- There would be a one hour clip show hosted by Bob Costas preceding it.
- There would be live coverage of the cast party on the network’s local 11:00 news. It would be the lead story even if Hurricane Katrina hit that day.
- There would be a little animated promo swooshing across the bottom of the screen after every commercial break of every other prime time show on that network for two weeks. A little gun would shoot a little mobster. The blood would spell out SOPRANOS.
- Also, on the bottom of the screen there would be a little countdown clock for a month leading up to the finale.
- The cast would be on that network’s late night talk show. If the network didn’t have a late night talk show they would create one just for this purpose.
- An online contest would offer prizes if you guessed who would be whacked and when. That way you could watch the final episode and play along at home.
- They would spin off Janice. Coming in September: WIDOW WITH CHILDREN.
- They would insist that Tony’s mother return despite the fact that the actress who played her has died.
- They would NEVER EVER EVER allow an ambiguous ending.
- They would want the following changes in the last scene. Meadow should drive a Ford because that’s who is sponsoring. She should have no trouble parallel parking because Fords are easy to parallel park. The restaurant must be TGI Fridays – also a sponsor and much more colorful. The threat should come from a singing waiter wearing a straw hat, suspenders, and hundreds of fun buttons. A secondary threat should be an Arab terrorist with a scar. The Arab should pull his gun. The waiter should point his banjo (which is also a semi-automatic rifle). It looks like Tony, Carmela, and A.J. are done for it. Final commercial break. We come back just as Meadow bursts in the door with an Uzi and blows the bad guys away. Meadow, it seems, has just come from dance class and is wearing nothing but a hot leotards. Tony says, “That’s what I get for going to Fridays on Tuesday.” The family shares a laugh. Meadow sits down. Everyone hugs and declares their love for each other. Carmelo calls out, “Can we get ANOTHER waiter?” They laugh. One more hug. Long fade out, as music swells – Dino’s “Ain’t That a Kick in the Head”. Fade out. Your local news is next.
(Thanks to Rawson for the link)
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1 comment:
There are two popular theories regarding the final scene that I've come across while researching the topic online:
Theory #1: Chase is using the final scene to place the viewer into Tony's mindset. This is how he sees the world: every open door, every person walking past him could be coming to kill him, or arrest him, or otherwise harm him or his family. This is his life, even though the paranoia's rarely justified. We end without knowing what Tony's looking at because he never knows what's coming next.
Theory #2: In the scene on the boat in "Soprano Home Movies," repeated again last week, Bobby Bacala suggests that when you get killed, you don't see it coming. Certainly, our man in the Members Only jacket could have gone to the men's room to prepare for killing Tony (shades of the first "Godfather"), and the picture and sound cut out because Tony's life just did. (Or because we, as viewers, got whacked from our life with the show.)
While I do think Theory #2 makes some valid points, Theory #1 comes pretty close to summing up what I took from the final scene. That we were seeing things from Tony's POV. That we were experiencing a moment where Tony's family life had finally found some balance; with the lingering reminder that outside forces may be coming down on him at anytime. Tony Soprano is never in complete control. His life is a constant balancing act and I feel we were left with the assumption that this trend continues, only now the cameras are turned off.
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